I have an exam coming up that includes debate about music television, so for the sake of revision (and of course for your curious eyes) here's some thought-provoking opinion.
So, music television came into its own in the 80s, back when MTV had music. Since then, it's grown into a whole load of genres, and too many channels.
But is it a fundamentally good or bad thing? Does it help the music industry, or is it just plain destructive and rubbish?
What's that?
Well, of course the answer is both. Don't be so stupid.
But here's why Music TV is brilliant.
Music TV is brilliant, definitely. Jools Holland has done a lot for the music industry, not only by showing that musicians actually have skill and talent to perform with their instruments, but also by showing us music and cultures that frankly we just wouldn't know about otherwise.
His show really emphasises the *music*ness of music...television in this example is just the medium through which to exhibit the music.
Music TV shows like this do a great service to the industry and the artists. You could see all the publicity material of David Bowie strutting his glammed-up stuff in an inch of make up and a thousand blinking lights...and then watch him perform 'Oh You Pretty Things' with nothing but a piano and a small band, and only then realise that he has a proper talent.
Of course, it's not only live shows which help musicians.
Music videos, as I'm sure you know, are wicked. The White Stripes, Bjork and Fatboy Slim wouldn't have such a widely loved cult without their music videos. The visuals help the music through a harmonious symbiosis, like saying "Isn't this song great?! Yeah! And check out all this cool stuff!":
And music videos are an art in their own right. Spike Jonze, Michel Gondry and Jonathan Glazer are the most sought-after and cool directors around, and it's because they started in the music video genre, which is unique in its scope for originality and experimentality.
Also, music videos give sub-cultures a voice. The Streets' videos show a humorous, honest portrayal of young male lad pub culture, while some of Fatboy Slim's videos show the pure absurdity of rave culture and why dancing is so very good.
These sub-cultures are under-represented, and music videos are the perfect way to inform us about them, simply because they're so imaginative.
Coming soon: the negative side.
Friday, May 18, 2007
Friday, May 11, 2007
Fun Fact: in the book, the words 'Blade Runner' are never used.
A few days ago I finished reading Philip K. Dick's 'Do Androids Dream of Electric Sheep?' and liked it a lot, so I re-watched the film adaptation, Blade Runner (The Director's Cut).
What a film.
Golly gosh. The visuals are just incredible. It's the perfect marriage of the imagination and scope of sci-fi and the sinister stylisation of film noir, giving everything a gritty-yet-fantastical look. In every frame there's something to be impressed with, and as a vision of the future it's probably unparalleled. In fact, if we reach 2019 and it doesn't look EXACTLY like it does in that film, I'll be disappointed. I'll probably be more relieved, as it would mean that Earth isn't slowly dying under a cloud of post-WW3 dust, killing most living animals and forcing the majority of the population to migrate to Mars.
Still...how many films can you say look like this:
or this:
That's right: not enough.
And oh yeah, those images are from TWENTY-FIVE YEARS AGO. The Lord of The Rings has dated more than that.
Along with the visuals, the soundtrack (by Vangelis) is just fantastic. If anyone ever criticises 80s music again, play them the Blade Runner soundtrack and watch them quiver in wrong-ness.
You could claim it as an exercise in style over substance, but when the atmosphere is this powerful then the style is the substance.
Basically, if you ever liked The Fifth Element, Cowboy Bebop, Deus Ex, Akira, Batman, Brazil, Firefly, Samurai Jack, The Matrix, Max Payne, Minority Report or The Terminator... you owe it to Blade Runner.
What a film.
Golly gosh. The visuals are just incredible. It's the perfect marriage of the imagination and scope of sci-fi and the sinister stylisation of film noir, giving everything a gritty-yet-fantastical look. In every frame there's something to be impressed with, and as a vision of the future it's probably unparalleled. In fact, if we reach 2019 and it doesn't look EXACTLY like it does in that film, I'll be disappointed. I'll probably be more relieved, as it would mean that Earth isn't slowly dying under a cloud of post-WW3 dust, killing most living animals and forcing the majority of the population to migrate to Mars.
Still...how many films can you say look like this:
or this:
That's right: not enough.
And oh yeah, those images are from TWENTY-FIVE YEARS AGO. The Lord of The Rings has dated more than that.
Along with the visuals, the soundtrack (by Vangelis) is just fantastic. If anyone ever criticises 80s music again, play them the Blade Runner soundtrack and watch them quiver in wrong-ness.
You could claim it as an exercise in style over substance, but when the atmosphere is this powerful then the style is the substance.
Basically, if you ever liked The Fifth Element, Cowboy Bebop, Deus Ex, Akira, Batman, Brazil, Firefly, Samurai Jack, The Matrix, Max Payne, Minority Report or The Terminator... you owe it to Blade Runner.
Thursday, May 03, 2007
Doin' it
So, I was going to do a big interesting, in-depth and incredible blog about Spike Lee and how important he is.
But after watching a few of his films I've realised that none of them can compare to the awesome power that is Do The Right Thing.
So instead, here's clip from it, one of my favourite films.
But after watching a few of his films I've realised that none of them can compare to the awesome power that is Do The Right Thing.
So instead, here's clip from it, one of my favourite films.
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